| Author/Title |
Genre |
Volume/Page |
| Pagan, Darlene M. |
A |
v. 10, no. 2, pg. 117; v. 10, no. 2, pg. 118; v. 10, no. 2, pg. 120 |
| Pain. |
P |
v. 7, no. 2, pg. 62 |
| Panhandle #1. |
P |
v. 12, no. 2, pg. 103 |
| Paper Hero. |
R |
v. 1, no. 2, pg. 67 |
| Pappas, Theresa. |
A |
v. 7, no. 1, pg. 71 |
| Parker Avenue, South Carolina. |
P |
v. 7, no. 1, pg. 77 |
| Parotti, Phillip. |
A |
v. 9, no. 1, pg. 48; v. 10, no. 1, pg. 10; v. 12, no. 1, pg. 52; v. 14, no. 1, pg. 57; v. 17, no. 1, pg. 1; v. 19, no. 2, pg. 23 |
| Past, The |
P |
v. 19, no. 1, pg. 90 |
| Patience. |
F |
v. 9, no. 2, pg. 18 |
| Patterson L. J. |
A |
v. 5, no. 2, pg. 5; v. 16, no. 1, pg. 96 |
| Patterson, Jill. |
A |
v. 13, no. 2, pg. 1; v. 20, no. 1, pg. 36 |
| Patterson, Jill. |
RR |
v. 12, no. 2, pg. 84 |
| Peace. |
P |
v. 3, no. 2, pg. 119 |
| Peaches. |
P |
v. 20, no. 2, pg. 55 |
| Pealer, Chris. |
A |
v. 10, no. 2, pg. 107 |
| Pecans. |
P |
v. 11, no. 1, pg. 59 |
| Pedroza, Gregorio C. |
A |
v. 12, no. 2, pg. 71 |
| Peeping Tom Poems, The. |
R |
v. 17, no. 2, pg. 131 |
| Pentimento. |
F |
v. 10, no. 2, pg. 27 |
| Perception. |
P |
v. 6, no. 2, pg. 123 |
| Perchik, Simon. |
A |
v. 17, no. 1, pg. 57 |
| Perez, Anisa. |
A |
v. 7, no. 2, pg. 71 |
| Perrello, Tony |
A |
v. 18, no. 2, pg. 33 |
| Perry, Ann. |
A |
v. 7, no. 1, pg. 69 |
| Perryman, John. |
A |
v. 13, no. 1, pg. 25; v. 17, no. 2, pg. 110 |
| Personal War in Vietnam, A. |
R |
v. 4, no. 2, pg. 82 |
| Perspective in Landscape. |
P |
v. 6, no. 1, pg. 128 |
| Petals. |
P |
v. 5, no. 2, pg.114 |
| Petroglyphs. |
P |
v. 6, no. 1, pg. 129 |
| Petronius on the Sea Cliffs of Cumae. |
P |
v. 1, no. 1, pg. 89 |
| Phillips, Jimmy. |
A |
v. 15, no. 2, pg. 90; v. 18, no. 2, pg. 26 |
| Phillips, Louis. |
A |
v. 7, no. 1, pg. 70 |
| Phillips, Pamela. |
A |
v. 7, no. 1, pg. 78 |
| Phillips-Renk, Charlotte. |
A |
v. 6, no. 1, pg. 113 |
| Photographer's Wife, The |
P |
v. 21, no. 2, pg. 76 |
| Photographing the Cows. |
P |
v. 11, no. 2, pg. 115 |
| Photograph of My Father From 1974. |
P |
v. 17, no. 2, pg. 122 |
| Pianissimo, or Snow White Asleep on the Couch. |
P |
v. 20, no. 2, pg. 110 |
| Pickett |
P |
v. 18, no. 1, pg. 65 |
| Picture of Happy Face Seen on Mars. |
P |
v. 13, no. 2, pg. 75 |
| Picture This. |
P |
v. 7, no. 1, pg. 89 |
| Pictures From the Flood. |
F |
v. 7, no. 2, pg. 1; v. 16, no. 1, pg. 128 |
| Pig Dissection Day. |
P |
v. 9, no. 1, pg. 78 |
| Pilkington, Tom. |
A |
v. 3, no. 2, pg. 81 |
| Pinkerton, Daniel. |
A |
v. 13, no. 1, pg. 93; v. 18, no. 2, pg. 100 |
| Pistols on the Wall: Traditional Narrative Elements in Modern Texas Fictions. |
N |
v. 2, no. 1, pg. 37 |
| Planting on Miracles |
P |
v. 18, no. 2, pg. 96 |
| Platt, Michael. |
A |
v. 8, no.1, pg. 61 |
| Playing House. |
P |
v. 16, no. 2, pg. 119 |
| Playing Solitaire. |
F |
v. 11, no. 1, pg. 23 |
| Playwright's Daughter, The. |
P |
v. 9, no. 1, pg. 69 |
| Plot Against America, The. |
R |
v. 20, no. 1, pg. 86 |
| Poem for the Rows, A. |
P |
v. 20, no. 2, pg. 94 |
| Poem of the Undead. |
P |
v. 16, no. 2, pg. 121 |
| Poem on the Flesh. |
P |
v. 13, no. 1, pg. 94 |
| Poem to my Uncle About Fish. |
P |
v. 6 ,no. 1, pg. 101 |
| Poems by James Hoggard. |
N |
v. 5, no. 2, pg. 83 |
| Poet Says, The. |
P |
v. 8, no.2, pg. 63 |
| Poetic Vision and the West Texan. |
N |
v. 3, no. 2, pg. 57 |
| Pogue, Laura Bearrie. |
A |
v. 14, no. 2, pg. 91 |
| Point of View. |
P |
v. 7, no. 1, pg. 66 |
| Pond, The. |
P |
v. 9, no. 2, pg. 79 |
| Pool |
P |
v.19, no. 1, pg. 82 |
| Popielaski, John. |
A |
v. 17, no. 1, pg. 58 |
| Popp, Charles F |
RR |
v. 4, no. 2, pg. 89 |
| Poppin' Heads. |
F |
v. 4, no. 1, pg. 37 |
| Porch of Memories |
F |
v. 19, no. 1, pg. 33 |
| Port Bolivar Ferry, The. |
P |
v. 10, no. 2, pg. 92 |
| Porter, Karen R. |
A |
v. 20, no. 1, pg. 72 |
| Porter, Liz. |
A |
v. 19, no. 2, pg. 80 |
| Posanka, Elaine. |
A |
v. 6, no. 2, pg. 110 |
| Posey, John R. |
A |
v. 9, no. 2, pg. 63 |
| Possum Cotton. |
F |
v. 13, no. 1, pg. 1 |
| Postcard From Italy. |
P |
v. 12, no. 2, pg. 99 |
| Power, Marjorie. |
A |
v. 16, no. 2, pg. 115 |
| Practice and Principle; or What Jane Austen Taught me About Love. |
F |
v. 6, no. 1, pg. |
| Prafke, Jean. |
A |
v. 13, no. 2, pg. 91 |
| Prairie Verbena. |
P |
v. 6, no. 2, pg. 124 |
| Praise. |
P |
v. 14, no. 2, pg. 90 |
| Preacher's Belt. |
P |
v. 5, no.2, pg. 121 |
| Prelude: Poland, 1939. |
P |
v. 2, no. 2, pg. 100 |
| Present, Absent. |
P |
v. 15, no. 2, pg. 82 |
| Preston, Barry A. |
A |
v. 15, no. 2, pg. 44 |
| Preventative Action. |
P |
v. 14, no. 2, pg. 91 |
| Price Check on Aisle Four |
P |
v. 19, no. 1, pg. 97 |
| Pride of Place: A Contemporary Anthology of Texas Nature Writing. |
R |
v. 20, no. 2, pg. 121 |
| Priests. |
P |
v. 2, no. 2, pg. 108 |
| Pringle, Terry. |
A |
v. 4, no. 2, pg. 80 |
| Prison of Smiles. |
F |
v. 13, no. 2, pg. 8 |
| Professor's Lot, The. |
P |
v. 1, no. 1, pg. 93 |
| Profile of a Writer: Liz Carpenter. |
N |
v. 6, no. 1, pg. 67 |
| Progress. |
F |
v. 10, no. 2, pg. 8 |
| Promise. |
P |
v. 9, no. 2, pg. 75 |
| Properties |
P |
v. 11, no. 1, pg. 48 |
| Prowling. |
P |
v. 14, no. 2, pg. 92 |
| Public Interview with Tim O'Brien. |
N |
v. 20, no. 2, pg. 55 |
| Pulling at the Center. |
P |
v. 19, no. 2, pg. 93 |
| Pultz, Constance. |
A |
v. 7, no. 1, pg. 68 |
| Puss in Boots, the Sequel |
P |
v. 19, no. 1, pg. 102 |
